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My uncle gave me his film archives. When I watched them, I realized that he had a comprehensive video diary, that he is a lover of images, and that he recorded everything as if he had been mandated by a public administrator to create memories. I see myself surrounded by them in his archives. They are my uncles, cousins and grandfathers – all policemen. My childhood with my family was surrounded by the PDI, Chile’s investigative police. Guns, badges, uniforms, gunshots. Almost all the men in my family are policemen. I look at my uncle’s images, at these ordinary men, even though I don’t know what that means. The story, the archives, the future, the violence and the police. Men and police as an inescapable relationship to think about.
Director
Writer
Status
Post Production
Original Language
ES
A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
