Il canto della vita (1945)

Nieri is an indigenous teenage boy from the Wixarika culture, who is being indoctrinated by his father on the path of dreaming to reach the Blue Deer and become a Marakame. However, Nieri doubts about having the gift that is necessary to become a Marakame. His real dream is to play Mexican country music and to go to Mexico City to play there with his friends.

The filmmaker goes to discover Meir the village where her great-grandparents were born, the place her grandparents left, but continued to love. When she goes, she discovers a village that people are trying to leave.

Azem has retired after 30 years working as a truck driver. However, he still hasn't gotten used to this quiet lifestyle. His friends help him go through this important moment of his life.

Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany

Marie is in her mid-thirties and has been with Sascha for a very long time, sometimes she does not even know for how long exactly. The next phase in their relationship is initiated as they only get naked on her fertile days. But does she really want it? The big picture? Or rather be wild and free? When the questions in her head get too loud, she hits the 'mute' button. Until she finds herself in a chalet in the mountains, with three others. Learning that no decisions are decisions. Running away is no option, so it gets straight down to the nitty-gritty.

He was at the bay when his world split in half.

This unique 3-DVD collection is the definitive critical overview of the work of Genesis. Taking the viewer on a journey from the band's early days through to the more recent past, the programs feature fascinating archive interviews with Phil Collins, Steve Hackett, Tony Banks and Michael Rutherford; also on hand to provide expert analysis of the music is a team of leading rock journalists and music industry insiders. And then there’s the music – featured here are superb tracks from the ground breaking Gabriel era and the bands later years as a commercial super group, including I Know What I like (In Your Wardrobe), Supper’s Ready, The Musical Box, In The Cage, The Knife, Turn It On Again and many more.

A thrilling journey through legends, belief and folklore, this film goes behind the scenes with the British Library as they search to tell that story through objects in their collection, in an ambitious new exhibition: Harry Potter: A History Of Magic. J.K. Rowling, who is lending unseen manuscripts, drawings and drafts from her private archives (which will sit alongside treasures from the British Library, as well as original drafts and drawings from Jim Kay) talks about some of the personal items she has lent to the exhibition and gives new insight into her writing, looking at some of the objects from the exhibition that have fired her imagination.

The Stooges run a pet hospital and are the proud surgeons of Garçon, a prized girl poodle of socialite Mrs. Bedford . When two men posing as reporters kidnap the poodle, the boys frantically try track them down.

Narrated by Meryl Streep and filmed in eight countries, Stolen Childhoods is the story of 246 million children for whom life is nothing but work. Children are found working in dumps, quarries and brick kilns. One boy has been pressed into forced labor on a fishing platform in the Sea of Sumatra, a fifteen-year-old runaway describes being forced into prostitution on the streets of Mexico City, while a nine-year-old girl picks coffee in Kenya to help her family survive. The film features stories of child laborers around the world, told in their own words, while placing their stories in the broader context of the worldwide struggle against child labor, how it contributes to global insecurity, while featuring best practice programs to improve their lives by giving them the chance of making a reasonable living when they grow up. Ultimately, the film challenges the viewer to help break the cycle of poverty for the 246 million children laboring at the bottom of the global economy.