I Was Born, But... (1932)

A 16-year-old girl takes her parents hostage after they miss her big jump-roping competition.

A teenager living with her sister and parents in Manhattan during the 1990s discovers that her father is having an affair.

A group of suburban teenagers try to support each other through the difficult task of becoming adults.

Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.

Leo and Angela Russo live a simple life in Queens, surrounded by their overbearing Italian-American family. When their son finds success on his high school basketball team, Leo tears the family apart trying to make it happen.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Daikichi learns that his recently deceased grandfather has an illegitimate daughter with an unknown mother. The girl's name is Rin and she is just 6 years old. Everybody in Daikichi's family looks at the girl as an embarrassment and wants no part of her. Daikichi, annoyed by his family's attitude, decides to raise Rin by himself. Even though Daikichi himself has no experience raising a child and is still single.

After failing his university entrance exam, Yuki Hirano sets his eyes on the role of a forestry trainee. Setting off for training he doubts his decision many times, but eventually after passing the training course, he is sent to Kamusari Village for a year of work experience - where he becomes assimilated with the beauty of nature and the warm-hearted people of the village.

Ryūichi and his small gang of Triad vie for control of the Japanese underworld in a crime-ridden Shinjuku quarter while Detective Jojima tries to bring it down.

A director faces creative block while working on his latest film – a reimagination of his adolescence growing up in a mountain village in rural Japan.