User Score
0 votes
After years of labouring in a colonial farmhouse, a housekeeper in Nairobi tells her co-worker that she wishes to abandon her body and simply become the house. Her goal, in a sense, is: to disappear. Filmmaker Oskar Weimar accompanies her patiently, in calm shots that are first reminiscent of still lifes, then of observational cinema – while he himself ghosts through the shots as a white homeowner. Weimar and his collaborators infuse this woman’s mysterious act of defiance with a deep emotional life, portraying a group, a present, a moment in history through the act of an individual. Here, an unsentimental turning away from the world makes for a light-footed turn towards cinema. A film that sits somewhere between meditation, transformation and dance formation.
Director
Writer
Status
Released
Original Language
EN
Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.
