Homeland (1954)

Tino is going on his first date with Lola. His friends, doubting his chances, devise a plan to ensure the outing's success.

Amateur filmmaker Kemal Mutlu captures scenes of everyday life with plans of making a film. He lives with his housemate Nuri in a small flat in Istanbul. One day,Nuri's friend from orphanage, Izzet, comes to visit unannounced. Just out of prison, Izzet's colorful character grabs Kemal's attention, and he decides to make a film about him. Unfortunately, it soon turns out that underneath his friendly exterior, Izzet is a psychopath. When he is refused entry into a bar, he gets in by force and kidnaps actress Oznur Kula. Kemal is happy to have found an actress to star in his film, however things soon get out of control as Izzet's sick plans unfold.

Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.

Cheerful Mimiko has a wonderfully strange family—a Panda for her Papa; and his son Panny, calls her Mom! When Panny follows Mimiko to school, he must pretend to be a teddy bear so Mimiko won't get into trouble. Despite his efforts to behave, Panny causes trouble in school and now the school is after Panny! Then, Panny makes a new friend, Tiny, a baby tiger who's wandered off from the circus.

Kim and Pie are in love, but after graduation they have to travel into two different directions for their internship; Kim is going to work in a farm in the northern province of Nan, while Pie is going South to work in a fishery center. Their love is being tested by the distance between them.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Picking up five years after the doomed romance between Mormon missionaries RJ and Chris, though their lives have taken radically different paths, the death of a mutual friend unexpectedly reunites the two men at a time when both are attempting to establish their adult lives. As old feelings of love and regret are rekindled, RJ and Chris must once again confront their seemingly impossible love.

The film follows the daily experiences and dreams of the residents of a specific type of seclusion of freedom in which the convicts assume the maintenance of the space, the control of their own activities and their security. With a multifaceted approach, it proposes a reflection on the creative potential of incarcerated people, the documentary genre itself and its truth.