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One and a half years before the begin of the Second World War during the annexation of Austria in March of 1938, Hitler conceived the megalomaniac idea of creating the largest European art center in his home town of Linz. At the beginning of the war on the 1st of September 1939, not only did his armies advance but also his art thieves began to fan out in their great foray of art plundering; an expedition on a previously unheard of scale began. Not only did the task forces of diverse National Socialist organizations pillage the occupied countries; Nazi bigwigs like Goering also took whatever they felt was valuable. This documentary includes the long and eventful journey of an exceptional masterpiece of European art: the Ghent Altar, created by van Eyck.
Status
Released
Original Language
EN
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
Self – Curator of the Louvre
As the Allied forces approach Paris in August 1944, German Colonel Von Waldheim is desperate to take all of France's greatest paintings to Germany. He manages to secure a train to transport the valuable art works even as the chaos of retreat descends upon them. The French resistance however wants to stop them from stealing their national treasures but have received orders from London that they are not to be destroyed. The station master, Labiche, is tasked with scheduling the train and making it all happen smoothly but he is also part of a dwindling group of resistance fighters tasked with preventing the theft. He and others stage an elaborate ruse to keep the train from ever leaving French territory.
