

User Score
17 votes
“In the badlands of New Mexico it waits for them...”
Jim and Brad make their annual hunting trip to the desert, but this year everything is different: Their third partner, Paul, has died in an accident and they've taken his nephew, Ray, along in his place. When they arrive, though, there's not a single animal to be found, only a grizzled old-timer who joins them. When they meet two female campers, they all begin to behave aggressively, unable to resist their animal urges. The next morning the women have disappeared, but the strange moods and behaviors persist and change in ominous ways. Something has them in its grip and it has total control over them...
Status
Released
Original Language
EN

Scott has been a case of arrested development ever since his firefighter father died when he was seven. He's now reached his mid-20s having achieved little, chasing a dream of becoming a tattoo artist that seems far out of reach. As his ambitious younger sister heads off to college, Scott is still living with his exhausted ER nurse mother and spends his days smoking weed, hanging with the guys — Oscar, Igor and Richie — and secretly hooking up with his childhood friend Kelsey. But when his mother starts dating a loudmouth firefighter named Ray, it sets off a chain of events that will force Scott to grapple with his grief and take his first tentative steps toward moving forward in life.

Paul Bettencamp / Alien
The production of phones has a dark, bloody side. The main part of minerals used to produce phones is coming from the mines in the Eastern DR Congo. The Western World is buying these so-called conflict minerals and thereby finances a civil war that, according to human rights organisations, has been the bloodiest conflict since World War II: During the last 15 years the conflict has cost the lives of more than 5 million people and 300,000 women have been raped. The war will continue as long as armed groups can finance their warfare by selling minerals. The Documentary Blood in the Mobile shows the connection between our phones and the civil war in the Congo. Director Frank Poulsen travels to DR Congo to see the illegal mine industry with his own eyes. He gets access to Congo s largest tin-mine, which is being controlled by different armed groups, and where children work for days in narrow mine tunnels to dig out the minerals that end up in our phones.