Height of the Wave (2019)

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

Spectacular stunt work by Richard Talmadge, circus acrobat and stunt man for Douglas Fairbanks, Sr., highlights this expose of a big city criminal mastermind.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Yiddish live theater, a formerly lively theatrical form, is barely sustained by a few aging aficionados and its loyal but aged audience. Laura Adler is a big star of one of these troupes. She is attractive, middle-aged and quite content to spend her days performing obscure theater in her backwater town. One day, however, she learns that she is being considered for a part in a major U.S. film, and, while she is absorbing that news, she has an affair with a young man. Later, when she learns that she has terminal cancer, she decides to spend her remaining days onstage with her theatrical friends and family.

The Goss family live on a farm they call the dust bowl where the wind blows during the day and the coyotes howl at night. When the train is robbed, everyone thinks that Cotton and Violet were the ones that did the job, but no one has any proof. US Marshal Lloyd Richland comes into town in disguise to find the truth and he finds that the sheriff is corrupt and that the Goss family is gosh darn nice. They take in Richland and a stranded woman named Mary without any questions. Cotton believes that Sheriff Tatum shot their pa in the back, and the sheriff is now trying to plug the boys. Richland is looking for the train robbers, and at the same time is keeping an eye on Tatum and the lovely young Mary.

Enrico Russo rapes and slaughters children. A magistrate, a policeman and a psychiatrist try to arrest him, but it’s too difficult to identify a cancer that hides itself behind a normal life. Then, one day, Enrico meets Andrea, a 7 year old child, and falls in love with him. He wants to be Andrea’s good father, the good father he himself never had. But his emotional delirium isn’t able to hold back his animal instinct. By pure ‘chance’, the detectives find the monster in the act of his last execution. On time?

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

Drug courier Sal has the war in him. When he meets the charismatic Sasha, his life goes off the rails and he botches an important coup. They flee together and Sal undergoes an astonishing metamorphosis.

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The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.