Hedgehog in the Fog (1975)

The second of the Soviet Winnie-the-Pooh series. This one had Pooh and Piglet visiting Rabbit for a meal with honey.

A Soviet cult cartoon, so untypical for a Western viewer, especially, a little one. A boy named Malysh ("A Little One") suffers from solitude being the youngest of the three children in a Swedish family. The acute sense of solitude makes him desperately want a dog, but before he gets one, he "invents" a friend - the very Karlson who lives upon the roof. So typical for the Russian culture spirit of mischief, which is, actually, never punished, and the notion that relative welfare not necessarily means happiness made the book by Astrid Lindgren and its TV adaptations tremendously popular in the Soviet Union and nowadays Russia and vice versa - somewhat alienated to the Western reader and viewer (see User's comments below). However, both the book and the cartoon are truly universal - entertaining and funny for the children and thought-provoking and somewhat sad for grownups.

Distant, well-worn memories of childhood are inhabited by a little gray wolf. Through astonishing imagery, the memory of all of Russia is depicted.

Animated short about a love between a heron and a crane.

It is a screen version of an Indian national fairy tale. Malicious and greedy rajah wishes to get a wonderful antelope who strikes gold coins by hoofs. The country boy rescues an antelope, but rajah, threatening the boy, compels the antelope to serve him but he is severely punished for it.

Western frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces an impossible moral choice.

"Too Many Cooks" is a humorous parody of US sitcoms of the 1970s and the 1980s, meanwhile what seems like an interminable opening theme, a mysterious killer makes his way and kills (preparing a lunch with their limbs) various members of the Cook Family.

A fisherman catches a talking fish and spares its life. After that, he meets a grotesque, evil monster in a state of constant change.

A restaurant in Moscow is forced to shut shop after they end up ruining a crucial political dinner involving the president. The entire team then decides to relocate to Paris to redeem themselves.

A portrait of the director’s young adulthood, set in the 1940s–1950s, in the electric capital city of Santiago. There, he decides to become a poet and is introduced, by destiny, into the foremost bohemian and artistic circle of the time.