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In the middle of Japanese colonial rule, Hallyang Jang Se-bong arrives at Ummakgol in Gangwon-do in search of Song Do-myeong-gi's little daughter. A bout between Choi Ju-sa and Se-bong, who is the governor of this village and a pawn of the Japanese patrolman, is expected. One day, Sebong witnesses the scene where Choi Joo-sa, the governor of the village and a pawn of the Japanese police, falsely framed Kim Jwa-su, the father of an independence fighter, and imprisoned him, and raped Kim Jwa-su's daughter-in-law, Seol-hee. Se-bong immediately mobilizes his colleagues, Chil-seong and Jae-sik, to visit the fornication scene of Ju-sa Choi and assault him. However, Sebong is caught in Jusa Choi's cunning trap, and So Dong-nyeo, knowing this, lures Jusa Choi and makes the villagers beat him naked, then saves Sebong with difficulty and leaves aimlessly somewhere.
Director
Status
Released
Original Language
KO
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

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