Ha! Ha! Ha! (1934)

No overview available.

Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.

When life turns unbearably miserable, a lonely old man takes part in a medical experiment, reviving a long-forgotten story of his love.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

After his mother death a sixteen years old Sergey suddenly finds out that his father is alive and well.

As they grew older, Cristina and Lola were silenced. They obeyed and kept silent for a long time, until today. The protagonists of this docufiction short film raise their voices to bring us closer to the intersex life stories and share our reflections on bodies, identities and desire. A liberating opportunity not only for them, but for everyone.

A US newsman and a British entomologist spy on germ-warfare research in a mythical country.

Ram Kapoor comes from a poor family, while Kiran comes from a middle-class family. Ram and his brother, Shyam, commit petty thievery to sustain themselves. Ram meets Kiran and both fall in love and would like to get married. Kiran's dad is Police Inspector, Vijay Kumar, and does not approve of either Ram nor this marriage. Despite of this opposition, Kiran and Ram get married. After sometime, Kiran gets pregnant, and her mother, Madhu, comes to look after her. A gangster, Shakti, abducts both mother and daughter, and holds them for ransom. Vijay thinks that Ram and Shyam are behind this abduction so to get money from him, and launches a manhunt for them. Shyam is apprehended, while Ram is on the run. Ram must decide to hand himself over to the police, and let his wife and her mother be at the mercy of Shakti or continue to evade the police and search for Kiran and Madhu.

Two snuff-film directors face a problematic shoot: one goes through a creative crisis, and the other feels guilty. The only one who seems to face the shoot with optimism and good humor is the victim.

Demobbed from the army Nat, Norman and Dan get new jobs, solve a crime and stage a concert party.