

User Score
2 votes
It is a story about a certain tragicomic relationship between an abstract sculpture name 'Chaos'-which finds itself in a fringe suburb-and the people who live there. A considerable portion of the art-themed movies made around the world often takes place in an intellectual atmosphere. These works are hence movies that reflect the theoretical 'high' art debate the elites deal with. Our movie rather depicts the warm relation between a surreal sculpture and those who live in slums and outskirts. In other words, it is the story of understanding and benefiting as much as possible fro 'Chaos' by those who see and render the world through their own dim window, who try to save the day with their ordinary calculations.
Director
Writer
Status
Released
Original Language
TR

Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.

Bakkal Halit
Nathan Flomm, in order to avoid the humiliation of having missed out on a hugely successful business, assumes a new identity on Martha's Vineyard. He plots revenge when his former business partner moves to the same town.