Gunilla (1971)

Jeanette is a beautiful open minded law student. She decided to study while her boyfriend is completing his national military service. They are set to be engaged when he returns. During her summer holiday with her father in the Free State a random act of kindness by an attractive Indian man sparks an unexpected love affair. Despite being warned not to act on these feelings she decides to pursue this relationship. Secret meetings followed, since it was against the law at the time to have an interracial relationship. When their secret comes out, it leads to a very tragic turn of events.

The filmmaker goes to discover Meir the village where her great-grandparents were born, the place her grandparents left, but continued to love. When she goes, she discovers a village that people are trying to leave.

Hakan who made arranged marriage with his best friend in order to have a child, found himself in an unexpected love and was devastated with the death of her, Derya, in childbirth. On the other side, Candan who is trying to deal with her painful but unique childhood. As Hakan and Candan are suppose to complete each other's life, it is not going to be that easy get used to each other.

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

Two friends travel from Nova Scotia to Toronto in hope of finding a better life.

Harrowing police scanner audios are set against placid landscapes in this urgent treatise on an American epidemic.

A Puerto Rican seamstress ponders leaving her island to go live with her daughter in the United States.

After waking up disoriented and frightened in a hospital room, George discovers that he has received a full face transplant.

Betty Jara reassembles the Yaguareté Commandos to exchange an imprisoned criminal for one of her own agents. A risky operation becomes even more so when she realizes they are not just fighting a drug ring but the highest spheres of power.

On December 11th, 1999, Blur performed a setlist featuring all their released singles at the time at Wembley Stadium.