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The first gay-themed film produced in Cuba by the Institute of Cinema since Strawberry & Chocolate in 1993. The theme, however, is the same as in Guttiérerez and Tabìo's film: homophobia, machismo and fear. The fatal attraction between Alfredo, a doctor in the merchant navy, and handsome Carlos starts in a rundown Havana bar and ends at the sailor's house. But Alfredo's flirting and seducing of Carlos immediately turns into something complicated, ambiguous, dangerous. In a claustrophobic, tense atmosphere, their bodies are powerfully attracted, and the words, though violent, intensify the level of sensuality. Does each man kill the thing he loves? Evoking dreamlike atmospheres and characters, 80-year-old veteran director Enrique Pineda Barnet openly references Fassbinder's Querelle and Jean Genet. Quite controversial in its approach, the films demonstrates the milder attitude of Raul Castro's regime towards Cuba's LGBT Community.
Director
Screenplay
Status
Released
Original Language
ES

Bruno is an architect who has a perfect life: A nice family and a good job. Anyway, Bruno has a deep sense of unease. He decides to leave his wife to be alone and have time to find him self. A business man offers him to build an iconic landmark in Santiago city. Motivated by this professional challenge, Bruno feels he can find a twist in his life by a vocational route. He start working with a young history teacher named Fer who is agile, energetic, captivating and gay. Starts between them an unexpected and intense romance. At this point he must decide his path. The biggest learning: simplicity is the best way to get up again.

Mateo is an intelligent boy who falls in love with Daniel, but when everyone reveals that relationship, Mateo is at a crossroads, and he will have to decide between fighting his adversities or giving up everything, even his life.