Goodbye Mama (2011)

After a Vietnamese woman dies in a car crash in Saigon, her brother-in-law and her young son transport her body back to the former’s hometown in rural Vietnam, where they plan to give her a funeral.

Juliette goes back in her hometown to spend some time with her family. She finds herself between a loving but moody father, a New Age mother, a sister in the midst of an existential crisis, and a grandmother slowly losing her mind. Buried memories and family secrets rise to the surface in this sweet, tender and sometimes extravagant family portrait.

A portrait of the myth of maternity around the story of Pepa and her daughter, who are evicted from their home and forced to wander for a place to live with no support network.

In a small North German village a drama played out during and shortly after the Second World War about duty versus individual conscience and morality.

In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.

At dawn, Clarisse takes a last look at her husband and two sleeping children, hesitates to leave a note, and hits the road. A desperate escape that gradually reveals its layers as Clarisse — who seems to have an extra-sensory connection to the family she has left behind — loses herself in the world.

While Olivier, a 39 year-old foreman gives his job everything he’s got, Laura, his wife and the mother of their two children, abandons the family home, leaving Olivier alone to face his responsibilities. Lost and completely thrown, Olivier is going to have to come to terms with his new status as a single father raising his children alone. Because Laura’s not coming back.

Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.

A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.

Ana and her two best friends, Maria and Paula, navigate life in their oppressive countryside village. Whilst their families struggle in the poppy fields harvesting opium, the girls try to grow alongside the creeping terror of their cartel oppressors.