Gi Gi (1979)

Sophie Deraspe’s adaptation of the classic Greek tragedy of the same name reimagines the story of a woman’s quest for justice as a commentary on the immigrant experience in contemporary Montreal.

To be able to travel to Europe and find the love of his life, Sam Ali, a Syrian refugee, accepts to have his back tattooed by one of the most sulfurous contemporary artist; becoming that way a precious work of art.

A film director gathers his favorite actresses, those he worked with and those he loved. He wants to make a film about women but he doesn’t reveal much: he observes them, takes cue, until his imaginary throw them into another era, in a past where the noise of the sewing machines fills a workplace handled and populated by women, where men have minor and marginal roles and cinema can be told from another point of view: the one of costume. Between loneliness, passions, anxieties, heartbreaking absence and unbreakable bonds, reality and fiction permeate, as well as the lives of the actresses and those of the characters, the competition and the sisterhood, the visible and the invisible.

Four brothers living in the fishing hamlet of Kumbalangi share a love-hate relationship with each other. Their relationship progresses when Saji, Boney and Franky decide to help Bobby stand by his love.

A movie fan escapes from a labour camp during the Chinese Cultural Revolution and strikes up a relationship with a homeless female vagabond.

A portrait of the myth of maternity around the story of Pepa and her daughter, who are evicted from their home and forced to wander for a place to live with no support network.

A pair of twin brothers from East L.A. choose to live their lives differently and end up on opposite sides of the law.

Humble, unassuming Ma and timid Cao have been cast off by their families and forced into an arranged marriage. They have to combine their strength and build a home to survive. In the face of much adversity, an unexpected bond begins to blossom, as both Ma and Cao, uniting with Earth's cycles, create a haven for themselves in which they can thrive.

Matteo is a young successful businessman, audacious, charming and energetic. Ettore instead, is a calm, righteous, second grade teacher always living in the shadows, still in the small town from where both come from. They’re brothers but with two very different personalities. A dramatic event will force them to live together in Rome for a few months, bringing up the opportunity to face their differences with sympathy and tenderness, in a climax of fear and euphoria.

Ahreum sits in a small café, typing on her laptop. Around her, customers enact various dramas from their lives. Is she writing what she hears or is she hearing what's been written?