Ghulami (1985)

The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.

Like the original film, the sequel is set in a near future where all drinking and drugs are banned except for on one glorious day known as The Binge. This year, that day happens to miraculously land on Christmas.

Tells about Adin with his father and mother who are waiting for the announcement for Adin to go to the next level of education. Although enthusiastic, the worries of Mr and Mrs were mixed with the prayers and hopes that were held for Adin in the future.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.

The supermarket giant that rose high by taking prices low.

Since some bird chicks hatched in the neighborhood, the bat hasn't got any sleep.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

American Matt Quigley answers Australian land baron Elliott Marston's ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston's real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can't keep Quigley safe in his cat-and-mouse game with the homicidal Marston.