Getting Away with It the Italian Way (1962)

An anthology presents three storylines, all set in the Italian town of Treviso: A husband pretends to be impotent as a cover for having an affair; a bank clerk abandons his wife for his mistress, but the rest of the town's husbands become jealous and unite to conspire against them; and local men all seduce a promiscuous young woman, but when her father eventually reveals that she is underage, they all face prosecution for statutory rape.

Gianna Amicucci works in the house of the head of her hometown police force and enters the academy with a kickback from him. She is a beautiful woman (she generously sheds clothes during the film) and has to overcome her male colleagues prejudices, but she gains their respect through a series of brilliant operations.

The film is about an old fashioned Italian with moral values of the 1930/40's , who has to find a wife in the modern, woman's liberated society of Australia of the 1960/70's.

The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.

Mobster Pepé Le Mokò dies during a shootout with the police. His gang decide that his successor will be a relative of his from Naples: Antonio Lumaconi (Totò Le Mokò), a street musician.

The day of Chief Constable Saracino begins badly when his new car is stolen. Then, in his office, he meets Alfredo Fiori who believes that his wife and her lover, a veterinary, are trying to murder him.

Belle Duke, in order to get revenge on her former lover Philip Bang, organize his jail break. But instead of Philip is the Italian Felice Brianza, AKAS Felix, to escape. Now Felix is obliged to help Philip to escape. He will succeeded and from that moment on the two will join to defraud Belle. The swindle plot become more complicate when Felix falls in love for Philip's daughter.

In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.

When an upwardly mobile couple find themselves unemployed and in debt, they turn to armed robbery in desperation.

Pio runs a rehabilitation center for young people, Amedeo a nursing home.