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In October 1987, the documentary film collective Amber Films from Newcastle became the first British film crew ever allowed to shoot in East Germany. They filmed the workers of the state-owned fishing concern in Warnemünde and a brigade of crane operators at the state Warnow dockyards. Just two years later, East Germany was history, including most of the jobs it once provided. Twenty-five years later, in 2014, the filmmakers returned to an utterly different Rostock. They visited the people they had filmed in 1987. Together, documentarians and subjects look at excerpts from the earlier film, and talk about the enormous changes the men and women experienced, how they dealt with them, and how they feel today.
Director
Status
Released
Original Language
DE
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
