Force of Darkness (1987)

Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.

Documentary about the rising german football club TSG 1899 Hoffenheim.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

A cinematic collage about people caught between two worlds. An empathetic look at a physical journey and the melodramas of a journey that is spiritual. Nikita Pavlov emigrated from Russia to Israel because he always wanted to experience life in another country. Street protests, political activism, and his daughters first steps are captured without any chronological context, separated only by Pavlovs thoughts and ideas. A cinematic diary that attempts to piece together a hypothetical picture of the filmmakers future.

The story of a young couple, from beginning to end, from the euphoria of falling in love until the final days blurred and dark, is realized with an analytical eye and investigative zeal. How and why two people fall in love? What now? How quickly will they get into a relationship? When a relationship ends, and when should it end? Peter and Sofia, with its simple story of love, they become reflections of all those who, at twenty-five years have been in love.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Raymond Corbier, a sculptor, has a wonderful wife, Sylvia, whom he adores. To save a passionate admirer who simulates suicide because she does not respond to her advances, Sylvia, an irreproachable wife, is forced to lie for the first time to Raymond.

Tipsy Canoe (Actually Huizenga) was once an innocent child of the 90's. But after a gory initiation by immortal gang leader Bop (Ryan Linkof), she has developed not only a twisted blood-lust, but a desperate addiction to fame and youth. She needs to be loved in order to live. And now, in the year 2205, after marauding the streets with her gang of Warlords for over 200 years, Tipsy must find new ways to be adored. Her life is a dizzying tale of excess and depravity. If she can persuade top Hollywoodite, RIsha (Elisha Drons), to write a book about it, will her sick desires be fulfilled?

A talented youth has compounded a wonderful fluid, a little of which he applies to the mirror in his room, and when he looks into it his image comes to life and comes out of the frame and imitates his every action. As soon as he rubs the fluid off the mirror his double disappears. When the servant come in, a little of the fluid is again rubbed on the mirror, and he has the same experience, his reflection stepping out and doing stunts, thereby scaring the poor fellow almost to death. The inventor of the fluid then takes the mirror with him and goes out on the street.

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.