

User Score
5 votes
Li Han-hsiang, one of the most experienced and respected filmmakers in Hong Kong, wrote and directed this charming and fascinating comedy of amorous complications and modern morals in the very middle of his forty year career. The two cities are Macau, where a love quartet is the source for sexy merriment, and Hong Kong, where a gambler tells a charming woman why there are four shackles hanging from his apartment ceiling!
Director
Screenplay
Status
Released
Original Language
ZH

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
Gambler
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.