Followers (2022)

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Mahmoud Darwish was a Palestinian poet and author who was regarded as the Palestinian national poet. He won numerous awards for his works. Darwish used Palestine as a metaphor for the loss of Eden, birth and resurrection, and the anguish of dispossession and exile.

The demonic Nicholas Diabolus is put on trial accused of interfering with people's lives.

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

The Swamp Pride is on its knees. Its mighty male was killed by poachers, leaving three mothers and their cubs defenseless in one of the toughest landscapes for a lion in Africa. Busanga Swamp is a quagmire, even in the dry season. Hunting in shoulder-deep water is all but impossible, and deadly hippos and crocodiles patrol the ever-present waters. Keeping cubs alive here is hard work, but for these lionesses it just got even harder: two massive young male lions are hunting them down. The males want to claim the Swamp Pride and its territory as their own, but to take over a pride they must kill its cubs. The mothers must fight tooth and claw to make sure that doesn't happen

Yiddish live theater, a formerly lively theatrical form, is barely sustained by a few aging aficionados and its loyal but aged audience. Laura Adler is a big star of one of these troupes. She is attractive, middle-aged and quite content to spend her days performing obscure theater in her backwater town. One day, however, she learns that she is being considered for a part in a major U.S. film, and, while she is absorbing that news, she has an affair with a young man. Later, when she learns that she has terminal cancer, she decides to spend her remaining days onstage with her theatrical friends and family.

No overview available.

In a small town a wealthy aged male named Dharmesh Saxena, known for his worship of Devi Maa Kaali, and magic, is called "Saamri". Dharmesh knows that his end is near, he summons his lawyer and wills his entire estate to his niece, Anju Trivedi. But when Mama Taklifchand, Dharmesh's step-brother, finds this out, he, together with a gorgeous young woman, Maria, a hotel owner, Khanna, professor Chatterjee, and others, kill Dharmesh, throw his body in the river, and when the body is found, inform the police and the public that Dharmesh killed himself. With the case closed, Taklifchand & the others must find ways and means to kill Anju and keep the wealth and estate for themselves. Before they could carry out their plan - one by one they start dying horrible deaths. Looks like Saamri has arisen from the grave to hunt down his killers, and there is no one who can even dare to even think of stopping him.

Notorious outlaw Clay Anderson and gang rob the town bank and flee in separate directions. Riding hard, Clay's horse goes lame and he is forced to pull-up at a nearby farm. He soon discovers that the place belongs to local preacher Hollis Jarret, his new wife, and a son from a previous marriage. Clay, posing as a weary traveler, tries to insinuate himself into a secure hideout, but the reverend isn't fooled. He agrees to allow Clay to remain at the farm for a few days, but his motive isn't the preservation of his family's safety. Hollis reasons that, with time, patience and a lot of faith, he can convince the outlaw to turn over a new leaf. But Clay's criminal tendencies may run deeper than the preacher had imagined

In the collective imagination, mountaineering is seen as an elitist and dangerous activity. When the mainstream press talks about mountaineering, it is generally related to a drama or an exploitation. The mountaineers are then placed in two categories. On the one hand, reckless supermen, engaged in a death struggle with the mountains.