“One Man. One Camera. One 220 sq. ft. apartment. One War”
A one-man adaptation of First Blood, filmed over the course of four months, entirely within a 220-sq. ft. apartment.
Director
Writer
Status
Released
Original Language
EN
This documentary is a journey into our own fascination, a collection of portraits of folk musicians living in New England, and a study of the ground on which their music is founded. We listen to them as they tell their stories and play their music. First and foremost, Behind a Hill is a tribute to these musicians and a rare peep into the house parties and basement jams of New England, in the northwestern corner of the USA, with the vain hope attached that maybe you, the viewer, will grow as fond of the music as we have. When we first encountered these musicians, we were overwhelmed by the quality of their musical output. We were entranced by the melodies, harmonies, rhythms, and tempos and every other element that constitutes a song (or, as is often the case, a piece of abstract drone music, heavy feedback, or someone banging a steel pipe against a bag of dirt while chanting in a yet undiscovered language, or...).
Ae-rang is a celebrated gisaeng who has the ability to knock out any man in the world with the flick of her hand or skirt and in the blink of an eye. She's got the men eating out of her hands with bedtime techniques that no one else knows about. One day, an impregnable man who won't date anyone is assigned to her village. The magistrate and Ae-rang secretly bet that she will or won't be able to have him begging for her.
