First to Die (2003)

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Hugo Pratt's famous comics adventurer, Corto Maltese while sojourning in Adana, Turkey, discovers a map to the treasure of Cyrus, an ancient king of Persia. To assist him in his quest, he enlists his old friend/nemesis the unbelievable Raspoutine whom he first has to help escape from the prison of Samarkand (aka "La maison dorée de Samarkand", the golden house of Samarkand). On the long and tortured way to the riches, he encounters all kind of interesting characters, soldiers of fortune, lost British actors, and even his doppelgänger.

No overview available.

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

A killer for the Russian Mafia in Vienna wants to retire and write a book about his passion - cooking. The mafia godfather suspects treason.

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

A visual interpretation of the poem by E.E. Cummings about the life cycle of a townspeople and of one ignored couple.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Paris, France. Commissaire Wens is put in charge of the investigation into the murder of one of six friends who, in the past, made a very profitable promise.