Farz (2001)

Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.

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An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Rosalie loves to shop too much to let a little thing like no money stop her. When the local shopkeepers no longer take her bad checks or bad credit cards, she's finds herself out of ways to please her consumerist tendencies… until she discovers The Internet! Master shopper becomes master hacker, and Rosalie is back on top.

8mm film by Swiss artist Roman Signer.

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.

Stage registration of the third comedy special (2002-2004) by the Dutch comedy troupe De Vliegende Panters (The Flying Panters). The show consists of songs and sketches on various topics such as James Bond, Hamlet, Shakespeare and Thyestes.

Love explores the shapeshifting nature of language on the internet. In the video, images extracted from Instagram—all found under #love—are transformed and integrated with original footage shot by the artist. #love is the most used hashtag on Instagram and currently there are over 2 billion posts tagged in this way. Connecting seemingly disparate images, Love tries to understand and link all of the possible associations of a given word at a single moment in time through narrative. A voiceless narrator—a loose personification of the Instagram platform or perhaps even the internet itself—addresses the viewer in the form of a love letter.

In this amusing antiwar comedy, seven inept and reluctant soldiers land on a desert island to carry on with the fighting. Just after their parachutes have collapsed behind them on the beach, helicopters approach and land nearby. Out pops a bevy of beautiful women sent to entertain the troops, which they do, and then they leave. From that point onward, there are a series of misadventures