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Emshwiller terms Family Focus a "family self-portrait, a stylized autobiography," which takes the form of an intimate collage of home movies, black-and-white videotape and photographs that have been colorized, synthesized or otherwise visually transformed in an electronic mediation by the artist. The viewer is witness to the spontaneous activities and conversations of the family's quotidian home life, which is accompanied by Carol Emshwiller's ironic, often poetic commentary. In one sequence of home movies, the children are seen "growing" over a span of twenty years. Using the video camera as a kind of psychological mirror, Emshwiller integrates video's intimacy, reflexivity and realism with its "unreal" technological manipulations to form what the artist describes as a "documentary/video art transformation of self-revealing images."
Director
Status
Released
Original Language
EN

Norwegian immigrant Marta Hanson keeps a firm but loving hand on her household of four children, a devoted husband and a highly-educated lodger who reads great literature to the family every evening. Through financial crises, illnesses and the small triumphs of everyday life, Marta maintains her optimism and sense of humor, traits she passes on to her aspiring-author daughter, Katrin.

Through a series of flashbacks, four Chinese women born in America and their respective mothers born in feudal China explore their pasts.