User Score
1 votes
de Bruyn uses animation, optical illusions, time lapse, solarization, hand tinting, flash frames, refilming and flicker effects, accompanied by a dense atmosphere of word puns, dialogue, primal screams, music and even recycled and letraseted soundtracks. By setting experiments entirely within his Moonee Ponds house, de Bruyn creates such a complex sense of claustrophobia, the spectator, while recognising the staid, conservative trappings of urban Melbourne, is present with the sort of art neurosis more commonly found in megacities like New York. The principal actor in Experiments is the narrator, whose anarchistic mind ruminates, struggles and screams from relief from the ravages of suburban Moonee Ponds, and the psychological suburbia of his mind... Experiments, its cacophony of images flickering on two screens, throws up everything from schizophrenic madness to baby nappies, inviting you to participate in the cathartic recesses of a personal nightmare. (Steven McIntyre)
Director
Status
Released
Original Language
EN
At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.
