
User Score
1 votes
The performance here is a device for creating counter-narratives, projectile bullets, decolonizing the image of the black woman. They are violent images, they are precarious actions, they are postgraduate research, they are articles in magazines and newspapers, they are contradictory, they are destructible. I will point out sounds and words of invisible people from institutional space, I propose a guerrilla of knowledge, in an attempt to reactivate ancestral memories and knowledge, to produce dissensions in bodies marked by coloniality.
Director
Writer
Status
Released
Original Language
PT

Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.