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In 1911 the German poet Hugo von Hofmansthal wrote a new version of the medieval morality play Everyman, and this was staged in Danish translation at the Royal Theatre in Copenhagen in 1915. At the time, it was radical example of symbolist abstraction. Its success inspired a film version, Enhver [Everyman], directed by Vilhelm Glückstadt for Filmfabrikken Danmark. The film, however, was set in a modern-day environment. It depict the moral choice confronting its protagonist at struggle because two attendant spirits, one good and one bad. The protagonist is tempted by dark figure of evil and succumbs, rejecting God and leading a life of iniquity, but he is then haunted by guilty visions until he finally dies, asking God for forgiveness at the last moment.
Director
Status
Released
Original Language
DA
Kurt
At the height of the First World War, two young British soldiers must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers.
