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“How far would you go to take a bow?”
“En Avant” highlights the internal struggle of a Black ballerina with self-acceptance as she faces racism in a white-dominated art form. It tells the story of one's battle with self-love through black-and-white imagery. After being cast in the lead role of a professional ballet, Ragan is pressured by the ballet’s director to lighten her skin with make-up, in order to be consistent with the white dancers on stage. She reluctantly goes along with the request, but with each performance in the lighter make-up, she feels more degraded. When a young adoring fan tells her she wants to be just like her, the dancer cannot continue to perform feeling such shame. She makes a decision to be authentic, and dance freely, in her own skin.
Director
Writer
Status
Released
Original Language
EN

An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.

Core Dancer #1
After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.