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““I almost feel my portraits— portraits I’ve made—are now invading my privacy. When I have them around—to have all these people looking at me—it’s oppressive, and I always find portraits oppressive. But I find them, well, fascinating.””
In filmmaker Betty Jean Thiebaud’s own portrait of the Abstract Expressionist artist, Elaine de Kooning discusses her work as she paints a new portrait of her friend and fellow artist, Aristodimis Kaldis. Over de Kooning’s musings on Rembrandt, conceptual art, and experience vs. ideas in the artistic process, Thiebaud observes her in her studio, working briskly but with care and method, and in constant dialogue with her cohorts.
Director
Status
Released
Original Language
EN
Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.