El Lamento (2016)

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Ophelia is 92 years old, and her foggy memories continue to fade. The only way to slow down the unstoppable action of time is to document the present and rediscover the past in old Super 8s.

Oleg Nazarov is a captain of a special forces unit, a sniper. But his family and friends don't know about it. Oleg carefully hides his true profession from his wife and daughter, and every time he returns from a mission, he puts on the mask of an ordinary person. Meanwhile, the city where Oleg lives is in a state of panic. The reason for this was a series of murders - every day one person is killed by an unknown gunman.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

A man named Jesus takes on the ruling military junta.

...again, is "plein-aire abstraction" as defined above (painted in New York City) – with, for example, even a correctly toned green impression of The Statue of Liberty – and, then, impressions of Toronto with its architectural particularities appearing, midst hurrying people – shapes (almost as if photographed at times). This segment is Double-Printed (i. e., two frames for every painted one).

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Making of documentary surrounding the production of ‘Anora’

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Among the backdrop of 1950s Los Angeles, Johnny, a working-class hoodlum caught up with a ring of car thieves, is floored when he meets Laura, a rich girl riding in a hot set of wheels. But nothing can prepare these teenage lovebirds for the head-on collision of cultures that results from their passion-fueled, high-octane relationship.