El grosso concerto (2001)

Returning to Earth as an imitator, the legendary Mexican artist Pedro Infante must prove that he is no longer a womanizer to enter paradise.

High schooler Jason has found his dream girl—the gorgeous Anastacia. There’s just one problem: she doesn’t know he exists. If he can win a spot on the school’s hottest dance crew, Jason might have a shot. But before he does, he’ll have to overcome his battle-ax of a mother, survive Anastacia’s gangsta brother, and pass the crew’s initiation—in this fresh, sexy, and outrageously funny comedy.

Comedians and writers Steve Martin and Martin Short perform a live comedy set with music by The Steep Canyon Rangers and jazz pianist, Jeff Babko, at the Peace Center in Greenville, South Carolina.

Rowan Atkinson and Angus Deayton in Boston doing a live performance of the same styles of humor we've seen in Mr. Bean and Blackadder. Included are lessons on Shakespearean acting, a school headmaster meeting with the father of a boy he's beaten to death, and tips for having a successful date.

Three eclectic, never-quite-famous folk bands come together for the first time in decades following the death of their manager to put on an reunion concert in his honor, at the request of his son.

Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.

The house is rockin' and the laughs are rollin' as comedians Steve Harvey (The Steve Harvey Show), D.L. Hughley (The Hughleys), Cedric The Entertainer (The Steve Harvey Show) and Bernie Mac (Life) meet in this riotously comedy summit directed by Spike Lee.

Facing a world gone sideways, comedy icon Dave Chappelle delivers bold truths and potent punchlines in this no-holds-barred special.

Lewis, a young amateur theater director, is offered a job with a governmental program for the rehabilitation of mentally ill patients in a Sydney institution. His project is overrun by one of the patients, who wants to stage the opera Cosi Fan Tutte by Mozart, despite the fact that none of the patients can sing or speak Italian. A comedy of errors ensues, but one which unifies the patients and their director in unexpected ways.

The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.