El Cabrero: el canto de la sierra (1988)

Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.

Mickey and his friends take a close look at important street safety situations and tips.

Fighter pilot Nikolai Muravyov is experiencing a personal drama: his wife and son left for the mainland - they are tired of life beyond the Arctic Circle. Colonel Belyy, thinking that his wife will return to her husband if he serves on the mainland, sends Nikolai on a business trip. In the new unit, Muravyov meets his fellow student Yevgeni Shelest. Friends have to fly in pairs.

Steve Harvey, one of the Original Kings of Comedy, leaves his blue material at home in this stand-up performance in front of church-folk at the Phillips Arena in Atlanta, Georgia

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

A candid story about a Filipino transvestite who works in Japan’s entertainment center in order to support his family. In the daytime, Joan attends to his daily training to prepare him for work as entertainer in Japan. At night, he works as one of the female impersonators in Manila’s gay bars. All these to feed a family of eighteen. Although it will be Joan’s fourth trip to Japan, he still finds it hard to make as much money to make their lives better. Meeting other gay entertainers in the bar where he works, they talk about the difficulties Filipino entertainers experience while working in Japan. The situation is no different though from the life lived by someone like Joan in the Philippines who was once caught in a drug bust operation and sent to jail. Threats and difficulties seem to hound these sex warriors wherever they go.

After successfully won the Tokyo qualifying tournament, Chihaya and her friends are set to go on to the nationals. As they prepare, Chihaya is faced with new personal issues as her childhood friend and inspiration, Arata, has announced that he has quit competitive karuta. Not only that, but a new rival emerges in the reigning female champion karuta player, Shinobu Wakamiya, a karuta prodigy who became the nation's and the world's greatest female karuta player as a 9th grader. All of this forces Chihaya to reexamine her love of the game in the midst of preparing for one of the biggest tournaments of the year.

A writer's career — and entire life — suddenly goes off script when he falls prey to a dangerous web of criminals right before moving to Barcelona.

Samar, a singer, and Mariam, a lawyer, are childhood friends. One day as she was driving, Samar hits a man and calls Mariam to come to the police station where she is being questioned by Hossam. The three of them are involved in a love triangle as both women try to win Hossam over.