Dumped (2018)

A film in which the director captures the beautiful and accurate qualities of reality when building the energetic portrait of a 16-year-old girl immersed in the macho culture of urban suburban south-west France, just a stone’s throw away from the nearby countryside.

Three Italian-American brothers, living in the slums of 1940's New York City, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.

Between working full-time, raising a young son, and trying to maintain a relationship with her detached husband, James, Lauren Bell desperately needs some help in watching her newborn, Riley. Thinking she's found the perfect solution, she hires her neighbor, Owen, to be their nanny. Owen is exactly what the Bells need and Lauren couldn't be happier. It isn't long, though, until Owen crosses the boundaries between hired help and man of the house.

Nassim, a 16-year-old boy, is placed with a family in the suburbs following the death of his drug addict mother. But he refuses to integrate into the social setting that surrounds him. He invents another life for himself, similar to that of his mates at the big Parisian high school he goes to. There’s no reason for that to change. His two lives, his home life and his school life, must be kept separate at all costs.

A 50-year-old who is over-invested in humanitarian work is competing in the social center where she works. She will then embark her students in literacy class, with the help of a pretty foolish monitor, on the dangerous road of the code of the road.

Yellowbird lives in the ruins of an old house. He lacks the confidence to leave his home, no matter how much Bug, his labybird friend, tries to convince him to go out into the world. Attempts to toughen him up have had little success, so Bug seizes an opportunity that leaves Yellowbird unexpectedly finding himself the new leader of the flock that is migrating to Africa. Still, lacking faith in his own abilities and with danger and imminent failure lurking around every corner, our feathered hero is forced to either find the strength required to work with the team or bow out and stay hidden away forever.

Masha wants to get a champion's cup in a bikini fitness competition. For many years she has been going to her goal and regularly trains under the guidance of her husband Sergei, who knows exactly what his wife should look like. For the sake of victory, the heroine resorts to extremes: she lies under the knife of a plastic surgeon to enlarge her breasts. New forms should lead Masha to victory, if everything goes as planned ...

Utilizing a combination of professional actors and man-on-the-street interviews, French director Raymond Depardon has created a film about filmmaking that centers on a rather discriminating director's search for the perfect leading lady. The main problem is that the helmer (Luc Delahaye) doesn't really know what his next film will be about, let alone what kind of woman should be his star. Looking for inspiration, the director and his casting agent (Sylvie Peyre) visit the Saint Lazare train station in Paris and shoot some footage of passengers entering and exiting the trains. Later he encounters a few actresses, but rather than asking about their professional experiences, the director focuses on their personal lives. After several fruitless interviews, the director confesses to the casting agent that he really wants to utilize a non-professional actress.

A single mother gets entangled in a web of lies to protect her sons.

After a violent car crash, Marilyn must take care of her man, who suffers from severe head trauma.