Dracula: The Musical (2011)

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

Masha and Valya, vegetarians and abstainers, invite their former friends Natasha and Sergey over. Natasha and Sergey took a mortgage, they are planning a child. Natasha tries to persuade Masha to throw a wedding party, nevertheless she hints at Valya being no good for Masha. Masha in reply tells Natasha that her husband Sergey drinks vodka on the quite. Natasha makes a scene to Sergey. Masha tries to reconcile friends and convince them of their relationship being cracked. The guests are leaving. Valya blames Masha for climbing out of her business. Masha and Valya have a quarrel. Masha remains alone.

In a pub in Madrid's downtown, a group of workmates meets to celebrate a birthday party. There, the singular characters share their opinions about education, maternity and other matters about life. In the middle of that, Lucía tries to behave normal, but in her head, there is only one thing: She may be pregnant and if it's confirmed, she would be forced to face one of the most difficult decisions: became a mother or not. A story about maternity, friendship, and identity.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?

No overview available.