Don't Bite, We Love You (1976)

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

A group of kids discover one of the drums containing a rotting corpse and release the 2-4-5 Trioxin gas into the air, causing the dead to once again rise from the grave and seek out brains.

Snow White asks the seven dwarfs for help, because if they don't manage to find out the name of a little boy (Rumpelstiltskin) within two days, her newborn child will be taken away from her. The journey takes the dwarves to a depressive, rhyming Pinocchio and the omniscient wizard Helge, among others, and all the way to the world of humans.

In the year 2455, Old Earth is now a contaminated planet abandoned for centuries -- a brown world of violent storms, toxic landmasses and poisonous seas. Yet humans have returned to the deadly place that they once fled, not to live, but to research the ancient, rusting artifacts of the long-gone civilizations. But it's not the harmful environment that could prove fatal to the intrepid, young explorers who have just landed on Old Earth. For them, it's Friday the 13th, and Jason lives!

The Tall Man, that imposing menace from Morningside Mortuary, is back and once again haunting the thoughts of the now-adult Mike and his friend, ex-Ice Cream vendor Reggie. The two continue their hunt for the mysterious figure and in his path of destruction encounter a variety of dangerous situations, friends and enemies.

Fame has become what millions of us follow, believe in and seemingly what we care about most - as well as a billion-dollar-a-year industry. But what does our intense fascination with celebrity say about us? And how much is too high a price to pay for our own curiosity run rampant? "$ellebrity" is a candid dialogue about the tone and texture of celebrity, past, present and future; an examination of our pop culture; and an honest look at the quality of our media consumption.

A man from Ostfriesland travels to Hamburg and sets course for America on a steamship to conquer this New World as well. What he leaves behind is a swath of devastation, a breach of confusion, a Milky Way full of music, a dead end full of mad jokes and perhaps a touch too much wordplay at the expense of others. But what is worst of all: he has also made a film about it!

An adventurous girl, Liv, lives with her beloved grandfather in a small village nestled among majestic mountains and forests. One day she encounters a polar bear, who turns out to be a prince enchanted into animal form. To break the spell, they will have to face an evil witch.

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

A young Englishman dreams of escaping from his working class family and dead-end job as an undertaker's assistant. A number of indiscretions cause him to lie in order to avoid the penalties. His life turns into a mess and he has an opportunity to run away and leave it all behind.