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It is like any other day in Artiaga Street when men eat dogs and get drunk and women have to succumb to their husbands’ aggressiveness. Mariana, pregnant with her second child has been planning for this day. She is fed-up. She wants to break loose. On the ground floor, her husband’s dog barks incessantly. Upstairs the baby cries constantly waiting to be fed. She has to fight. A woman, too, has rights. Confronting her drunken husband and the dog, she makes one last bid for freedom that might finally set her free.
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After inheriting a remote Montana house, Jackson moves there from New York with his partner Grace, and the couple soon welcome a child. As Jackson becomes increasingly absent and rural isolation sets in, Grace struggles with loneliness, creative frustration, and unresolved emotional wounds. What begins as an attempt at renewal gradually turns into an intense psychological descent, placing strain on their relationship and exposing the fragile balance between love, identity, and motherhood.

Lando
Detective Scott Turner has three days left in the local police department before he moves to a bigger city to get some 'real' cases—not just misdemeanors. When Amos Reed is murdered, Scott sets himself on the case, but the closest thing to a witness to the murder is Reed's dog, Hooch, which Scott has to take care of—to avoid Hooch being 'put to sleep'.