Divine Love (2019)

During a time of political upheaval in Brazil, two strangers meet by coincidence in a foreign land and end up caught in the middle of a gem smuggling ring.

A teenage cartoonist rejects the comforts of his suburban life in a misguided quest for soul.

The Indigenous Uru-eu-wau-wau people have seen their population dwindle and their culture threatened since coming into contact with non-Native Brazilians. Though promised dominion over their own rainforest territory, they have faced illegal incursions from environmentally destructive logging and mining, and, most recently, land-grabbing invasions spurred on by right-wing politicians like President Jair Bolsonaro. With deforestation escalating as a result, the stakes have become global.

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

A record on Brazilian samba school Estação Primeira de Mangueira's victory on the 2016 carnaval parade. Mangueira's parade that year was a homage to singer Maria Bethânia. The documentary also follows Bethânia on the celebrations of Our Lady of Purification, in Bahia, northeast of Brazil.

It's night and a woman needs to get to the airport, but there are many obstacles in her path.

Based on David Stuart Leslie's novel Two Left Feet is a story about Alan Crabbe (Michael Crawford a callow youth desperate for a date with any girl who can offer him the experience he lacks. Every time Alan tries a manful stride into the jungle of sex, his two left feet turn the attempt into a trip-and-stumble. Then he meets Eileen (Nyree Dawn Porter), the new waitress at the corner cafe, who signal unmistakable messages with her large inviting eyes.

After interning her insane husband in a remote psychiatric hospital, book editor Helga Pato returns home by train, where she meets a mysterious man who identifies himself as a psychiatrist.

1945, Leningrad. World War II has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women, Iya and Masha, search for meaning and hope in the struggle to rebuild their lives amongst the ruins.

When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.