Denis Leary: MTV Unplugged (1993)

A Latina working in Los Angeles as a messenger is randomly discovered and fashioned into a pop music star.

A turbulent day in a life, painted by air.

A documentary that shows how young activists from around the globe such as Felix Finkbeiner (Plant for the Planet), Luisa Neubauer, Greta Thunberg (Fridays for Future) and Vic Barrett (Youth v. Gov) are currently challenging the status quo and pushing for social and political change. The film focuses on these young protagonists, addressing the question of what it feels like and what is at stake when you engage in such a life. Experienced activists, as well as experts in a wide variety of topics, will provide background information and forecasts for future developments.

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An experimental film about bloodletting.

Raj interrupts his studies, disappointing everyone but his kind sister-in-law, Geeta Bhabhi, who encourages him to pursue new interests in music. Raj's life is given fresh excitement when Priya comes into it.

Leslie Uggams hosts this take on A Christmas Carol, where she and fellow guest stars, Anne Murray, Imogene Coca, and Dick Smothers try to get Oscar to stop being such a Grouch on Christmas.

EMULSION ELECTRONS IMBUED is part of a collection of films revolving around previously recorded cassette tapes. This film is the first in the series and originally shot on 16mm.

2 of One is a video album by American heavy metal band Metallica. It was released on June 6, 1989, through Elektra Entertainment and features two versions of the group's first music video, "One", from their fourth studio album "...And Justice for All". The music video One was directed by Bill Pope and Michael Salomon and was filmed in Los Angeles, California. It features clips from Dalton Trumbo's anti-war film Johnny Got His Gun (1971). All parts of 2 of One are also included on the DVD "The Videos 1989–2004", released in 2006.

A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.