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“A young girl is awakened to her burgeoning womanhood after an incident causes her to reassess her reality, which coincides with the beginning of her first menstruation.”
Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).
Director
Writer
Status
Released
Original Language
EN

France. End of the 19th century. Louise Violet 40, a Parisian teacher, is sent on a mission to the French countryside. But in a place where the daily life is linked to the seasons, land and crops, she must first convince parents to send their kids to school. With the help of the mayor, she is gradually accepted by the parents and their children. But soon, her past catches up with her. Despite the obstacles she faces, Miss Violet will give her heart and soul to her belief that education is the key to freedom.

In the polarized and violent Medellín (Colombia's 'City of Eternal Spring') of the 1970s, doctor Héctor Abad Gómez is concerned about both his children and children from less favored classes. After a devastating loss in the family, Héctor gives himself to the greater cause of public health programs for the poor in Medellín to the consternation of the city's authorities.