Deep End (1971)

A woman employs a gay man to spend four nights at her house to watch her when she's "unwatchable".

On a trip to Big Sur, two friends, both actresses, try to reconnect with one another. Once alone, the women's suppressed jealousies and deep-seated resentments begin to rise, causing them to lose their grasp on not only the true nature of their relationship, but also their identities.

For several days, a team of police officers (backed by Judge Anne Gruwez, the revelation from their previous So Help Me God) sift through the evidence in a murder case that’s tougher than it appears. Jean Libon and Yves Hinant lead a police investigation unlike anything you’ve ever seen. With every banal turn of events, camaraderie and professionalism go hand in hand as humour meets tragedy and a handful of fries, a Tupperware container and St. Rita heighten the suspense. Hilariously scathing, yet filled with tenderness.

John Considine plays the flamboyant Dr. Death, a thousand-year-old magician who has mastered he art of transferring souls from one body to another and thereby manages to perpetuate himself by jumping from one body to the next. Apparently the Doc is a kindred spirit since his blood is a highly-corrosive acid that can strip flesh from bone

Englishwomen band together when they learn that the public bathhouse they frequent for relaxation will be closed down.

One of Grant's most interesting and important films is Color Sequence (1943) which consists only of pure solid-colour frames that fade, mutate and flicker. He made the film as a research into colour rhythms and perceptual phenomena, and although it now appears not only visually exciting but also as a precedent for the work of younger film-makers like Paul Sharits, Grant himself found the film to be too disquieting when it was first screened (cf. the Film Exercises), and it received little further play until the 70s.

A young student decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him.

In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.

A psychiatrist comes to the aid of a compulsive gambler and is led by a smooth-talking grifter into the shadowy but compelling world of stings, scams, and con men.

A poor North Korean fisherman finds himself an accidental defector, and is groomed to be a spy by an ambitious South Korean military officer.