Dawn of the Damned (1965)

Two brothers are divided by marriage and fate during the 100 horrifying days of the 1994 Rwandan genocide.

Year 1936. As villages across Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. But history is relentless. With rising numbers of Jewish immigrants escaping antisemitism in Europe and some arriving with nefarious Zionist-colonial ambitions, and the Palestinian population uniting in the largest and longest uprising against Britain’s 30-year dominion, all sides spiral towards inevitable collision in a decisive moment for the British Empire and the future of the entire region.

Directed by Philippe de Broca, the film recounts a bloody episode of the French Revolution. 1793, the Terror . In Vendée and in Bretagne, the chouans are revolting against the young Republic and fight for the monarchy restauration. The civil war divides also the family of the Count Savinien de Kerfadec, a liberal and generous noble and a flying machines inventor.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

A WWII veteran escapes his care home in Northern Ireland and embarks on an arduous but inspirational journey to France to attend the 75th anniversary of the D-Day landings, finding the courage to face the ghosts of his past.

A woman has a close bond with her beloved Algeriann grandfather, who protected her from a toxic home life as a child; his death triggers a deep identity crisis as tensions between her extended family members escalate, revealing new depths of resentment and bitterness.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.

A seamstress recalls events leading to her act of peaceful defiance that prompted the 1955 bus boycott in Montgomery, Alabama.

Mercenary soldiers Jamie and Drew are hired by a large corporation to liberate Zangaro, a small African nation, from an despot. Havoc ensues.