User Score
5 votes
"Your colleague has more testosterone than Mike Tyson," Kozack is told and - even worse - has to admit that his interlocutor is right. He was always the alpha male on the beat! But since the BKA officer Mia von Weitersdorf and the Berlin police officer were welded together to form a team against their will, she shows him where the hammer hangs. Kozack had blown up an undercover operation for which Mia was responsible. A colleague was killed, a suitcase full of money and the designer drug "Green Devil" went missing. Mia and Kozack are put on leave - and continue their investigation together. After some initial friction, they realize that they complement each other very well: Kozack knows his way around the Berlin scene and Mia has a quick wit and excellent contacts "at the top". Kozack has to realize that Mia is an equal partner - a hard blow for the macho man.
Director
Status
Released
Original Language
DE

Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?


Söldner-Anwalt
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.