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The film proper begins as Baillie takes the passenger seat of an older Honda and films an hour-long drive in the rain. Baillie's attention moves from passing images on the roadside to other vehicles to the raindrops that squirm across the windshield. Underneath the real-time gambol, Baillie supplies a soundtrack, ostensibly on a tape thrust into the car's cassette-radio player at journey's start, that lampoons local, folksy radio shows with snippets from movies, Golden Age radio, public service announcements and authoritative commentary by an incomprehensible child. The track lends a nostalgic air to a film devoid of humans as objects but filled with meditative rumination and startlingly poetic imagery, such as a large truck enveloped in the water spray kicked up by its own wheels.
Director
Director
Status
Released
Original Language
EN
Rich knows a lot about accidents. So much so, he is scared to do anything that might endanger him, like riding his bike, or climbing into his treehouse. While in an old library, he is mystically transported into the unknown world of books, and he has to try and get home again.
