User Score
10 votes
Jean-Marie Straub pushes this musicality of blocks to a paroxysmal extreme, mixing blocks of time (40 years separate the various extracts that are going to be used, and what is to be filmed), blocks of text (Malraux, Fortini, Vittorini, Hölderlin) and blocks of language (French, Italian, German), and from this ruckus emerges the history of the world, yes, History with a capital H, and from the same movement, the political hope of its being overtaken. So this is an adventure film, about the Human adventure, still one that is always, in the end, overtaken by Nature.
Director
Screenplay
Status
Released
Original Language
DE
Pausanias
A former assassin—known only as The Bride—wakes up from a coma after her former boss and lover, Bill, shoots her in the head and steals her unborn child during her wedding rehearsal. She soon embarks on a bloody quest for revenge, hunting down her ex-colleagues of the Deadly Viper Assassination Squad before confronting Bill himself. Quentin Tarantino’s complete Kill Bill, a combination of Volumes 1 and 2, previously deleted scenes, alternate takes, a full-color remaster of the Crazy 88 fight, a 7-minute anime sequence by Production I.G., and a built-in intermission.
