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The universe of comic books is a worldwide pop mythology, a Pantheon in cheap newsprint and saturated colors. For almost 100 years comic books have provided fantasy, escape, and compensation for adolescents who often feel powerless and misunderstood in their daily lives. Fantasies of power are inevitably violent, but the violence in comic books has no consequences. After all, it's just the stroke of a pen... But what happens when the comic book meets real war? In this age of hundreds of television stations, 24-hour news, worldwide instantaneous satellite transmission and thousands of web sites updated hourly, the lowly comic book has become a documentary medium, providing a real understanding of the human dimensions of war, genocide and revolution. It's a new journalistic form. Comic Books Go To War explores the journalistic, aesthetic and political implications of reporting the most violent and terrible of human experiences through "comix."
Director
Writer
Status
Released
Original Language
IT

Viktor spends his free time trawling bars with ladies of questionable repute, from where he is picked up by a wife he doesn’t love, the mother of a child they never planned. Viktor himself was abandoned by his own father, his mother then committed suicide, and he was left to grow up in an orphanage. Years later, his errant dad returns, now a disabled felon, and Viktor discovers a timely legacy is in the offing – his father’s apartment. The documentation for securing dad’s move into an old people’s home is signed in a flash. Nevertheless, the only one that can take him is miles away and, what’s more, the invalid starts to recuperate during the journey, which is when their real problems begin.

The story of J. Robert Oppenheimer's role in the development of the atomic bomb during World War II.