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Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs.
Director
Status
Released
Original Language
EN

Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.

Pull back the curtain on the remarkable history of six decades of James Bond music, from Sean Connery’s Dr No through to Daniel Craig’s final outing in No Time to Die.