Champagne (1928)

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

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Thomas, a blasé young man, spends his nights in clubs and his days in bed. Until his father, Dr. Reinhard, fed up with his son’s escapades, cuts him off completely and forces him to take care of one of his young patients. Mar- cus, 12, was born with a serious congenital disorder. He lives with his mother in the poor suburbs of Paris and spends his days either at the hospital or in a center for sick children. This encounter will disrupt their lives and change them both, profoundly and forever.

François Marsault, a war veteran, makes the most of his retirement alongside his wife Annie. Authoritarian and ruthless, François rules his family with an iron fist — but when he discovers that his esteemed wife cheated on him 40 years ago, he files for divorce and confronts her former lover, who lives in the French Riviera.

Although he's now eighty years old, Claude Lherminier is still as imposing as he ever was. But his bouts of forgetfulness and confusion are becoming increasingly frequent. Even so, he stubbornly refuses to admit that anything is wrong. Carole, his oldest daughter, wages a daily and taxing battle to ensure that he's not left on his own. Claude suddenly decides on a whim to go to Florida. What lies behind this sudden trip?

Franck, a scrap merchant, and Meriem have five children, a sixth on the go, and serious money issues. Julien and Anna are lawyers and cannot have a child. This is the story of an inconceivable agreement.

A lady has her prim and proper life turned upside down after discovering her husband's affair.

Enrico is a corporate man whose job is to manipulate inexperienced scions into selling their flailing companies. His latest assignment proves more difficult than anticipated—since his target are two young siblings whose parents just died in a car accident.

Nobody likes self-centered realtor Oren Little, and he prefers it that way. He's deliberately mean to anyone who crosses his path and wants nothing more than to sell one final house and retire. His life turns upside-down when his estranged son drops off a granddaughter he never knew existed. Suddenly left in charge of her and with no idea how to take care of a child, he pawns the girl off on his neighbor, Leah -- but he eventually learns how to open his heart.

Gabrielle is a "statue" for tourists, much to the chagrin of her teenage son. Elsa is in angry at the world and desperate to become pregnant. Mao is a chronically depressed video game designer who drowns his melancholy in alcohol and psychoanalysis. They are brother and sisters but do not hang out. Ever. Their parents Pierre and Claudine, separated for a long time, have really done nothing to strengthen the bonds of the family - yet, at their grandfather's funeral, they are going to have to meet, and together answer the question: "What to do with grandma?"