Carandiru (2003)

A young photocopier operator becomes infatuated with his neighbor and, unable to afford anything from her shop, turns to shady schemes to make money.

Two brothers fight to escape a violent and poor neighborhood in Caracas by playing soccer. Daniel wishes to play professionally while Julio supports the family with dirty money. The opportunity of a lifetime comes when a talent scout invites them to the Caracas Football Club. The boys' mother dies in a shootout forcing each brother to decide what it is more important to them:family, revenge, or achieving their dreams.

After losing her job, an unstable woman sinks further and further into a violent fantasy world.

A teen couple plans for a night in private when the boy’s parents are away. At first it appears as a cosy night of sofa lounging, snack eating and film. But it soon becomes evident that beneath the façade of relaxed mutuality, there is a relationship based on insecurities and demands. Due to a fight, the parents cut their evening short, and when they return, the situation gets out of hand and feelings of hurt lead to abuse. Adolfsson paints a gruesome picture of adolescent love and how fears and expectations can completely override a young person’s will.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

A young, unbelieving couple is being pursued by a terrifying monster. They try to hide in a church, where they meet a priest who seems friendly at first glance, but it soon becomes clear that the priest has less than honorable plans for them. They are trapped.

Iremar works at the rodeo in North East of Brazil. From his home, the truck he uses to transport the animals, he dreams of a future in the region's booming clothing industry.

After the rise of the Taliban in Afghanistan and the restriction of women in public life, a preteen girl is forced to masquerade as a boy in order to find work to support her mother and grandmother.

Years after serving time for betting on games he officiated, former NBA referee Tim Donaghy revisits the scandal that shook up the league.

Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers, such as the woman who gets transformed into a gorilla. He gets involved with Linaura, a sexy and beautiful woman who happens to be the wife of the most frightening hitman of the place. The hitman finds out his wife's affair and goes after Leléu, who has to leave in a hurry. In another town, he meets and falls instantly in love with Lisbela, who is engaged to Douglas, a hillbilly who tries hard to pass for a cosmopolitan Rio de Janeiro dweller.